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<channel>
	<title>Sarah Pirrie</title>
	<link>https://sarahpirrie.com</link>
	<description>Sarah Pirrie</description>
	<pubDate>Mon, 06 Jul 2026 10:57:31 +0000</pubDate>
	<generator>https://sarahpirrie.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Work Index</title>
				
		<link>https://sarahpirrie.com/Work-Index</link>

		<pubDate>Sat, 07 Nov 2020 22:36:07 +0000</pubDate>

		<dc:creator>Sarah Pirrie</dc:creator>

		<guid isPermaLink="true">https://sarahpirrie.com/Work-Index</guid>

		<description>Projects&#124;Exhibitions
</description>
		
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	<item>
		<title>Coastal Links: Darwin Coastal Companion Guide</title>
				
		<link>https://sarahpirrie.com/Coastal-Links-Darwin-Coastal-Companion-Guide</link>

		<pubDate>Sun, 10 Jan 2021 22:55:39 +0000</pubDate>

		<dc:creator>Sarah Pirrie</dc:creator>

		<guid isPermaLink="true">https://sarahpirrie.com/Coastal-Links-Darwin-Coastal-Companion-Guide</guid>

		<description>
	
	
Coastal Links: Darwin Coastal Companion Guide


















In
2017, as a recipient of the inaugural Northern Territory Government Creative in Residence for the Northern Territory Library, I published an exhibition and book based on the Darwin coastline, which focused my research on historical intersections with the Darwin coastline, developed through writing, painting and
event-based outcomes. Titled Coastal Links: Darwin Coastal Companion Guide
(Pirrie 2017), the project featured two
key essays and two creative works: Macrotidal Quadrat Series 
and Rocksitting Place-mats. The residency reflected on Manuel De Landa’s
philosophical thesis, in which all structures that surround us and form our
reality are products of specific historical processes (De Landa 1998)&#60;img width="1597" height="2048" width_o="1597" height_o="2048" data-src="https://freight.cargo.site/t/original/i/e436b3af6199e6a20212a7a6d9995cde52d9619ac7e3709fd43d04bf8359dd32/Costal_links_catalogue_LR_FIN-Page-1.jpg" data-mid="238100232" border="0"  src="https://freight.cargo.site/w/1000/i/e436b3af6199e6a20212a7a6d9995cde52d9619ac7e3709fd43d04bf8359dd32/Costal_links_catalogue_LR_FIN-Page-1.jpg" /&#62;

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&#60;img width="2048" height="1312" width_o="2048" height_o="1312" data-src="https://freight.cargo.site/t/original/i/7d3d7a2d4991dd1525ee1e4421718d33fe4ba426b485b0928c2abd0f112e9a7c/Costal_links_catalogue_LR_FIN-Page-8.jpg" data-mid="238100536" border="0"  src="https://freight.cargo.site/w/1000/i/7d3d7a2d4991dd1525ee1e4421718d33fe4ba426b485b0928c2abd0f112e9a7c/Costal_links_catalogue_LR_FIN-Page-8.jpg" /&#62;
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&#60;img width="2048" height="1312" width_o="2048" height_o="1312" data-src="https://freight.cargo.site/t/original/i/0bcace303f9f54588db24b65183db1f7b04b114e44c3c09618add53549b9a45e/Costal_links_catalogue_LR_FIN-Page-18.jpg" data-mid="238100613" border="0"  src="https://freight.cargo.site/w/1000/i/0bcace303f9f54588db24b65183db1f7b04b114e44c3c09618add53549b9a45e/Costal_links_catalogue_LR_FIN-Page-18.jpg" /&#62;
&#60;img width="2048" height="1312" width_o="2048" height_o="1312" data-src="https://freight.cargo.site/t/original/i/2d388c705630266b65e32ed64f63cda179ef1d97901c8e1a1fd48470364a58ee/Costal_links_catalogue_LR_FIN-Page-19.jpg" data-mid="238100615" border="0"  src="https://freight.cargo.site/w/1000/i/2d388c705630266b65e32ed64f63cda179ef1d97901c8e1a1fd48470364a58ee/Costal_links_catalogue_LR_FIN-Page-19.jpg" /&#62;
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&#60;img width="2048" height="1312" width_o="2048" height_o="1312" data-src="https://freight.cargo.site/t/original/i/5dd42d813e45d286c0d03df23edffb3aa4fd0e9e8b457fb60c6de91006d54832/Costal_links_catalogue_LR_FIN-Page-21.jpg" data-mid="238100618" border="0"  src="https://freight.cargo.site/w/1000/i/5dd42d813e45d286c0d03df23edffb3aa4fd0e9e8b457fb60c6de91006d54832/Costal_links_catalogue_LR_FIN-Page-21.jpg" /&#62;&#60;img width="2048" height="1312" width_o="2048" height_o="1312" data-src="https://freight.cargo.site/t/original/i/dcd77373da4e1abe2c24f6fd2facdfa1524882df57675be1c03184a589156f1a/Costal_links_catalogue_LR_FIN-Page-22.jpg" data-mid="238100620" border="0"  src="https://freight.cargo.site/w/1000/i/dcd77373da4e1abe2c24f6fd2facdfa1524882df57675be1c03184a589156f1a/Costal_links_catalogue_LR_FIN-Page-22.jpg" /&#62;
&#60;img width="2048" height="1312" width_o="2048" height_o="1312" data-src="https://freight.cargo.site/t/original/i/dcd77373da4e1abe2c24f6fd2facdfa1524882df57675be1c03184a589156f1a/Costal_links_catalogue_LR_FIN-Page-22.jpg" data-mid="238100621" border="0"  src="https://freight.cargo.site/w/1000/i/dcd77373da4e1abe2c24f6fd2facdfa1524882df57675be1c03184a589156f1a/Costal_links_catalogue_LR_FIN-Page-22.jpg" /&#62;
&#60;img width="2048" height="1312" width_o="2048" height_o="1312" data-src="https://freight.cargo.site/t/original/i/ba483e368352894d5dff73cfb07e41225656561872b5d3cd4e2028076ceefa88/Costal_links_catalogue_LR_FIN-Page-23.jpg" data-mid="238100623" border="0"  src="https://freight.cargo.site/w/1000/i/ba483e368352894d5dff73cfb07e41225656561872b5d3cd4e2028076ceefa88/Costal_links_catalogue_LR_FIN-Page-23.jpg" /&#62;
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</description>
		
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	<item>
		<title>Collaborate</title>
				
		<link>https://sarahpirrie.com/Collaborate</link>

		<pubDate>Sat, 07 Nov 2020 22:36:07 +0000</pubDate>

		<dc:creator>Sarah Pirrie</dc:creator>

		<guid isPermaLink="true">https://sarahpirrie.com/Collaborate</guid>

		<description>
</description>
		
	</item>
		
		
	<item>
		<title>Publications</title>
				
		<link>https://sarahpirrie.com/Publications-1</link>

		<pubDate>Mon, 09 Nov 2020 02:19:05 +0000</pubDate>

		<dc:creator>Sarah Pirrie</dc:creator>

		<guid isPermaLink="true">https://sarahpirrie.com/Publications-1</guid>

		<description>PUBLICATIONS


	&#60;img width="2470" height="3508" width_o="2470" height_o="3508" data-src="https://freight.cargo.site/t/original/i/1a84c746a612454ff8207acf398e80908de02b0552a9eeffcf519a025a354259/WeAreWeEat_Catalogue_Digital_01-1.jpg" data-mid="88155666" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/1a84c746a612454ff8207acf398e80908de02b0552a9eeffcf519a025a354259/WeAreWeEat_Catalogue_Digital_01-1.jpg" /&#62;


	&#60;img width="1937" height="2480" width_o="1937" height_o="2480" data-src="https://freight.cargo.site/t/original/i/6ada7dc0164a22b9186d8d7615781041bef2e012ee87096ad8fcc92c8297f61e/Costal_links_catalogue_LR_FIN-1.jpg" data-mid="88155722" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/6ada7dc0164a22b9186d8d7615781041bef2e012ee87096ad8fcc92c8297f61e/Costal_links_catalogue_LR_FIN-1.jpg" /&#62;
	&#60;img width="2362" height="2362" width_o="2362" height_o="2362" data-src="https://freight.cargo.site/t/original/i/10aa1a99f25cd84dc15ed46d2d0d8234c18417755ca2de329db454d191ad90b0/Counting-Tidelines-Catalogue-1.jpg" data-mid="88155573" border="0"  src="https://freight.cargo.site/w/1000/i/10aa1a99f25cd84dc15ed46d2d0d8234c18417755ca2de329db454d191ad90b0/Counting-Tidelines-Catalogue-1.jpg" /&#62;


	&#60;img width="2480" height="1568" width_o="2480" height_o="1568" data-src="https://freight.cargo.site/t/original/i/903a493bcb156402de332d2a3b071a2dcf6a31317b8454b8d54b18d252cdd228/Waiting-for-Water-Invitation-1.jpg" data-mid="88156063" border="0"  src="https://freight.cargo.site/w/1000/i/903a493bcb156402de332d2a3b071a2dcf6a31317b8454b8d54b18d252cdd228/Waiting-for-Water-Invitation-1.jpg" /&#62;
	&#60;img width="2550" height="3085" width_o="2550" height_o="3085" data-src="https://freight.cargo.site/t/original/i/feebbe50f121f78275b999ff70e1200de03808cd9bf5a312fb1a285c86d9736d/Sand-Sheets-Catalogue-15-LR-1.jpg" data-mid="88155980" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/feebbe50f121f78275b999ff70e1200de03808cd9bf5a312fb1a285c86d9736d/Sand-Sheets-Catalogue-15-LR-1.jpg" /&#62;
	
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/98871e8e20aee6af16d0adf791b0f2e2c001f4675e6d93e8192ed4de00d48341/IMG_1261.JPG" data-mid="238100672" border="0"  src="https://freight.cargo.site/w/1000/i/98871e8e20aee6af16d0adf791b0f2e2c001f4675e6d93e8192ed4de00d48341/IMG_1261.JPG" /&#62;
&#60;img width="2882" height="3458" width_o="2882" height_o="3458" data-src="https://freight.cargo.site/t/original/i/162112a7cfb3d5c50909b789dc91c13192466b3be22547fa0cbd83fa4e9a42fa/IMG_1260.jpg" data-mid="238100671" border="0"  src="https://freight.cargo.site/w/1000/i/162112a7cfb3d5c50909b789dc91c13192466b3be22547fa0cbd83fa4e9a42fa/IMG_1260.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/a038f6102f5015dc9dcc98af6f207350fcfd92cc7da4f0c7a65a357609432175/IMG_1263-2.JPG" data-mid="238100674" border="0"  src="https://freight.cargo.site/w/1000/i/a038f6102f5015dc9dcc98af6f207350fcfd92cc7da4f0c7a65a357609432175/IMG_1263-2.JPG" /&#62;



&#60;img width="4031" height="2551" width_o="4031" height_o="2551" data-src="https://freight.cargo.site/t/original/i/2277dff10e715affc388cb2370aa0b5f5b6d12392d5ac713f5ac4e9709faacab/IMG_1238-3.JPG" data-mid="238100738" border="0"  src="https://freight.cargo.site/w/1000/i/2277dff10e715affc388cb2370aa0b5f5b6d12392d5ac713f5ac4e9709faacab/IMG_1238-3.JPG" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Curatorial</title>
				
		<link>https://sarahpirrie.com/Curatorial</link>

		<pubDate>Mon, 09 Nov 2020 02:11:32 +0000</pubDate>

		<dc:creator>Sarah Pirrie</dc:creator>

		<guid isPermaLink="true">https://sarahpirrie.com/Curatorial</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Ghost States: Karen Mils and Sarah Pirrie</title>
				
		<link>https://sarahpirrie.com/Ghost-States-Karen-Mils-and-Sarah-Pirrie</link>

		<pubDate>Mon, 06 Jul 2026 10:57:31 +0000</pubDate>

		<dc:creator>Sarah Pirrie</dc:creator>

		<guid isPermaLink="true">https://sarahpirrie.com/Ghost-States-Karen-Mils-and-Sarah-Pirrie</guid>

		<description>GHOST STATES: Karen Mills and Sarah PirrieCross Art ProjectsOpening Saturday 13 September, 2 pmOpening talk by artists Karen Mills and Sarah Pirrie with guest speaker Dr Wendy Garden (Head of Audience, Education &#38;amp; Learning, Museum and Art Gallery Northern Territory)
13 September to 11 October 2025. In Ghost States, artists Karen Mills and Sarah Pirrie visualise the ebb and flow of their two-decade-long conversation on the fleeting traces or ghost movements of objects in landscapes and composition. The artists have sketched together and worked on projects with specialists and colleagues on intercultural collaborations, often in response to rare and endangered environments. The idea of a trace or ghost suggests the term “punctum” used by Roland Barthes to describe an incidental but personally poignant detail in a photograph, which pierces or prompts a meaning particular to a viewer.Gallery view
&#60;img width="3762" height="2779" width_o="3762" height_o="2779" data-src="https://freight.cargo.site/t/original/i/d377dafecc58497b7583999e531fc99771cee8afaf280d883fe81c0672634964/_0213025-copy.jpg" data-mid="250133694" border="0"  src="https://freight.cargo.site/w/1000/i/d377dafecc58497b7583999e531fc99771cee8afaf280d883fe81c0672634964/_0213025-copy.jpg" /&#62;
	&#60;img width="4033" height="2896" width_o="4033" height_o="2896" data-src="https://freight.cargo.site/t/original/i/1d5457f23c12c78c1e12e8f2254cfed4cc69bc7c790c12ba8a5f468ff1b85bda/_0213027-copy.jpg" data-mid="250133697" border="0"  src="https://freight.cargo.site/w/1000/i/1d5457f23c12c78c1e12e8f2254cfed4cc69bc7c790c12ba8a5f468ff1b85bda/_0213027-copy.jpg" /&#62;&#60;img width="4344" height="2355" width_o="4344" height_o="2355" data-src="https://freight.cargo.site/t/original/i/c657fd37603ef83e8d5b53f1c20b864f4888e2c35ea359b21bb961090856ca99/_0213049-copy.jpg" data-mid="250133706" border="0"  src="https://freight.cargo.site/w/1000/i/c657fd37603ef83e8d5b53f1c20b864f4888e2c35ea359b21bb961090856ca99/_0213049-copy.jpg" /&#62;&#60;img width="4092" height="2755" width_o="4092" height_o="2755" data-src="https://freight.cargo.site/t/original/i/346f252d1352bf2e69bbddd709a346b4f0285fd497bcac19965a373d9d76085d/_0213041-copy.jpg" data-mid="250133704" border="0"  src="https://freight.cargo.site/w/1000/i/346f252d1352bf2e69bbddd709a346b4f0285fd497bcac19965a373d9d76085d/_0213041-copy.jpg" /&#62;
	&#60;img width="2691" height="3995" width_o="2691" height_o="3995" data-src="https://freight.cargo.site/t/original/i/cc90a0138482fabe80ca54c7193cd867dc4c089f511d59343e7a2851fef6f7a9/_0213039-copy.jpg" data-mid="250133702" border="0"  src="https://freight.cargo.site/w/1000/i/cc90a0138482fabe80ca54c7193cd867dc4c089f511d59343e7a2851fef6f7a9/_0213039-copy.jpg" /&#62;
</description>
		
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	<item>
		<title>Groundswell</title>
				
		<link>https://sarahpirrie.com/Groundswell</link>

		<pubDate>Sat, 07 Nov 2020 22:36:07 +0000</pubDate>

		<dc:creator>Sarah Pirrie</dc:creator>

		<guid isPermaLink="true">https://sarahpirrie.com/Groundswell</guid>

		<description>GroundswellArtback NT, Spark NT Exhibition curated by Carmen Ansaldo
Featuring
You’ve got to crack
Hydrostatic quench
Alumina groundswell

How might we view the water cycle? Is it natural? Seasonal rain’s slow filtration though permeable rock&#38;nbsp;creates ancient catchments and distribution networks which are drawn on by industry. Water is life blood to the mining process that extracts aluminium from bauxite rock. Ubiquitous drink cans are fashioned from aluminium in a manufacturing process that requires water. The manufactured cans are filled with water based sugared and fermented hyperliquids, such as soft drinks and alcohol. Once the desiring thirsts of consumers are quenched these vessels are crushed and discarded. Consumer demand and under utilised recycling processes secure the future of alumina mining. Reduced to debris and sculpted by runoff waters Territory cans manifest as the new nature embedded in the geology of our coastal shores.

&#60;img width="2462" height="2462" width_o="2462" height_o="2462" data-src="https://freight.cargo.site/t/original/i/825680e87397bfcebe2135fa0f1ae6cf98459c2898f456db137b8159e5facb2f/You-ve-got-to-crack.jpg" data-mid="88149037" border="0"  src="https://freight.cargo.site/w/1000/i/825680e87397bfcebe2135fa0f1ae6cf98459c2898f456db137b8159e5facb2f/You-ve-got-to-crack.jpg" /&#62;
You’ve got to crack, 2020, pencil, watercolour and gouache on Arches paper
&#60;img width="3574" height="3565" width_o="3574" height_o="3565" data-src="https://freight.cargo.site/t/original/i/3b24916b5467986e940f5270a7cb0c350990bd5db67e58c8d6c71ae918b71e6e/Hydrostatic-quench.jpg" data-mid="88144787" border="0"  src="https://freight.cargo.site/w/1000/i/3b24916b5467986e940f5270a7cb0c350990bd5db67e58c8d6c71ae918b71e6e/Hydrostatic-quench.jpg" /&#62;Hydrostatic quench, 2020, pencil, watercolour and gouache on Arches paper
&#60;img width="2653" height="2653" width_o="2653" height_o="2653" data-src="https://freight.cargo.site/t/original/i/48216dacb0735740cd1ca5c9b923b1d93d272b2e29fcbcb18a268133de73d8ac/Allumina-groundswell-v2.jpg" data-mid="88149035" border="0"  src="https://freight.cargo.site/w/1000/i/48216dacb0735740cd1ca5c9b923b1d93d272b2e29fcbcb18a268133de73d8ac/Allumina-groundswell-v2.jpg" /&#62;Alumina groundswell, 2020, pencil, watercolour and gouache on Arches paper

</description>
		
	</item>
		
		
	<item>
		<title>Coastal Links: Rocksitting Place mats</title>
				
		<link>https://sarahpirrie.com/Coastal-Links-Rocksitting-Place-mats</link>

		<pubDate>Mon, 28 Jan 2019 02:57:46 +0000</pubDate>

		<dc:creator>Sarah Pirrie</dc:creator>

		<guid isPermaLink="true">https://sarahpirrie.com/Coastal-Links-Rocksitting-Place-mats</guid>

		<description>Rocksitting Place Mats
	
Sarah Pirrie, Hill in Rock out, 2020 (digital still), digital video.



	
The juxtaposition in and out of two historical gestures, an 1870 photograph of Fort Hill and the commemorative flagpole of the Darwin Rocksitters Club allow a new materialist comparison to be made. Each exists within time valued systems of governance including geological, cyclonic, and the social times of people’s beliefs and attitudes. 

The photographic composition of Captain Samuel Sweet, Captain of the Gulnare, which you can see at anchor in the distance, was taken to commemorate the advance party of colonisers working on the construction of the Overland Telegraph in 1870. The British empire and the South Australian Government followed Edward Gibbon Wakefield’s empire building methodology ensuring the directive to “establish settlements on the waste land of the new country”[1]. This mindset gave no consideration to existing Indigenous uses and values of land and marine regions. Darriba Nungalinya and Lee Point Lookout were important cultural sites long before the Gulnare made anchor.

Darwin rocksitting could be described as an absurdist endurance game invented in 1974, emphasising libertarian larrikins, drinking and aspirational claiming of place. Sweets’ photograph and the establishment of the Darwin Rocksitters Club are over one hundred years apart. Both highlight aspirational worldviews of nation building or as in the case of post cyclone Darwin Rocksitters Club, nation re-building. Both actions communicate a contrast between the human and non-human geological actor of the coastline and meteorological monsoonal conditions. Darwin coastline including Fort Hill and East Point is a Cretaceous stratum of sedimentary rocks and cliffs. It has a dominating presence in colour and form and reflects years of stratigraphic compression that continues to be impacted by tidal events today.

Durational time is express in many different ways here. There is the immediacy of the photo countered to the legacy of colonisation and impact of development. Then there is the endurance game of rock-sitting as they pit themselves against geological and biological time. We are told that in 1986 the rocky outcrop that was used for rock sitting was destroyed by lightning when the flagpole was struck. A symbolic tool, the flagpole here is both promoter and destroyer. Finally, there is the enduring Larrakia ancestral life and present-day sacred sites, Indigenous knowledge systems of time are a complex enmeshment of past and present which accounts for non-human and human histories that fully acknowledges seasons and coastal marine environment. 

The Rocksitting Place-mats were produced for Coastal Links, as part of 2017 Creative Residency with Northern Territory Library. As a facsimile of the destroyed East Point rock during high tide, Rocksitting Place-mats are an un-claiming apparatus, speculative in their subjectivity and flexible objecthood. They are a creative response to dispossession and appropriation of lands and sea. They speak to the vitality of rocks and mineral formations, as things that are relational to the living and not simply something to be removed or used as a pedestal of occupancy and possession. While the image is in action (tidal waves encroaching) it is itself static reliant on other forces (human &#38;amp; nonhuman) to find shape and form. Movable and reshaping the Rocksitting Place-mats form to the surface they are placed on or air current they flaps in. This is an important transgression for the still image. Like a backdrop in a portraiture studio it provides the sitter with context of a geological place, that is alive to its mutability; moving, folding, reshaping so that the fixed aspect of the work (the image) may be changed, distorted in infinite composition. Ultimately this is a mat to be used to tread more lightly on the planet. To consider the multiplicities of time and place as relative to sustainability. 


    [1] (Mills, R. C. (1974). The colonization of Australia (1829-42): the Wakefield experiment in empire building (Facsim. ed.). Sydney: Sydney University Press. p. 92


&#60;img width="3888" height="2592" width_o="3888" height_o="2592" data-src="https://freight.cargo.site/t/original/i/fd4adc60c743547dfc8c98aea8511d29637a01d71f80f515713c4c4cbb0c5667/IMG_8634.jpg" data-mid="33902315" border="0"  src="https://freight.cargo.site/w/1000/i/fd4adc60c743547dfc8c98aea8511d29637a01d71f80f515713c4c4cbb0c5667/IMG_8634.jpg" /&#62;Coastal Links: Rocksitting Place matsinvigilate. v. past participle of invigilare "watch over, be watchful, be
devoted," from in- "in" (see in- (2)) + vigilare (see vigil)










“Larrakia
and Englishmen gazed in mutual incomprehension as Mermaid ghosted away under
light winds.”


Powell, A. (2010). Northern voyagers : Australia's
monsoon coast in maritime history. North Melbourne, Vic. :Australian
Scholarly Publishing.1819
“In 1819 the 84-ton teak-built
cutter, a 56 feet long ship named the Mermaid cruised off Casuarina Beach.
Captain Phillip Parker King wrote in his book , Narrative of a Survey, Vol. I about
the ‘deep red-coloured cliffs’ of the outer harbour and the presence of
‘sixteen or twenty’ Aborigines on the beach, ‘engaged in fishing, or perhaps in
watching our movements” Powell, A. (2010). Northern voyagers : Australia's monsoon coast in maritime history. North Melbourne, Vic. :Australian Scholarly Publishing p. 67. Footnote 57, King, Narrative of a Survey, Vol.
I, pp. 270












Rocksitters. Darwin, Australian activity involving competitive beer consumption on
one tidally defined rock at East Point Reserve: Darwin Rocksitter’s Club https://www.rocksitters.com.au/






1974












May&#38;nbsp;
 Rocksitting started


December &#38;nbsp;
 Cyclone Tracey hit
Darwin










&#60;img width="844" height="1125" width_o="844" height_o="1125" data-src="https://freight.cargo.site/t/original/i/587d8dfe864d247930443dddc3fc5296ab8cd656f271298c37aaef8762223788/RSC.jpg" data-mid="33903884" border="0"  src="https://freight.cargo.site/w/844/i/587d8dfe864d247930443dddc3fc5296ab8cd656f271298c37aaef8762223788/RSC.jpg" /&#62;






&#60;img width="751" height="1057" width_o="751" height_o="1057" data-src="https://freight.cargo.site/t/original/i/2fc94d22f5378ad915b9879d6f0f8767577f45858ad70778d4b08860af0745c0/Picture1.jpg" data-mid="33903876" border="0"  src="https://freight.cargo.site/w/751/i/2fc94d22f5378ad915b9879d6f0f8767577f45858ad70778d4b08860af0745c0/Picture1.jpg" /&#62;


























1977











Darwin Rocksitter’s ClubOctober 1977 the first challenge to the world is thrown down with a 5 day
marathon sit
Rocksitters. (2009). Darwin Rocksitters Club: Milestones. &#38;nbsp; Retrieved from http://www.rocksitters.com.au/milestones/


















Also in 1977-1978


The Commonwealth
Government began transferring executive powers to the Legislative Assembly in
preparation for Northern Territory (NT) self-government. 


On 1 January 1977, the NT public
service was created and administrative powers relating to a number of state
functions such as police, fire brigades, local government, and correctional
services were transferred from the Commonwealth to the NT. 


Functions such as health and the Supreme Court were progressively transferred to
the Northern Territory Government.


The Fraser Federal Government
enacted the Northern Territory (Self Government) Act 1978 (Commonwealth) the NT
was established under the Crown with limited state-like powers with effect from
1 July 1978. 



The major state powers kept by the Commonwealth in the NT include
Aboriginal land rights, the mining of uranium and other prescribed substances,
industrial relations and control of Commonwealth national parks. 


Culture, D. o. T. a. (2016). Records 1986. NT Cabinet records.&#38;nbsp; Retrieved from https://dtc.nt.gov.au/arts-and-museums/northern-territory-archives-service/cabinet-records/1977-records
Anthropogenic adj. an·thro·po·gen·ic &#38;nbsp;-pə-ˈje-nik : 
of, relating to, or resulting from the influence of human beings on nature






1986











Rocksitters are devastated
as lighting destroys the sacred rockRocksitters. (2009). Darwin Rocksitters Club: Milestones. &#38;nbsp; Retrieved
from http://www.rocksitters.com.au/milestones/







Also in 1986


















Landscaping plans for the low lying land behind Vesteys Beach in Darwin
were released for public consultation in 1986.





Hon IL Tuxworth resigned as Chief Minister 14 May 1986 and Hon SP Hatton sworn in as
Chief Minister 15 May 1986





The NT had the youngest age profile in Australia with median age in
1986 of 25.7 years.





Mrs Lindy Chamberlain was released
from prison in Darwin in February 1986





A nuclear power plant at the Ukraine town of Chernobyl, exploded in
April 1986 causing widespread radioactive contamination of the region. Hundreds
of thousands of people were displaced by the disaster as the Soviet Union
evacuated and closed off the surrounding area within 18 miles of the plant.
Contaminated dust and air from Chernobyl blew across parts of Europe.


Culture, D. o. T. a. (2016).Records 1986. NT Cabinet records.&#38;nbsp; Retrieved from https://dtc.nt.gov.au/arts-and-museums/northern-territory-archives-service/cabinet-records/records-1986/about-1986-records








&#60;img width="1606" height="2657" width_o="1606" height_o="2657" data-src="https://freight.cargo.site/t/original/i/6d65bb506f553088d3ae6f4f1597b0ffa3b1baee8333a739fb684b733d535017/RSL01.jpg" data-mid="33901066" border="0"  src="https://freight.cargo.site/w/1000/i/6d65bb506f553088d3ae6f4f1597b0ffa3b1baee8333a739fb684b733d535017/RSL01.jpg" /&#62;
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Hill in Rock out, 2020 (digital still), digital video.</description>
		
	</item>
		
		
	<item>
		<title>to bare witness faithfully</title>
				
		<link>https://sarahpirrie.com/to-bare-witness-faithfully</link>

		<pubDate>Mon, 07 Oct 2019 15:47:20 +0000</pubDate>

		<dc:creator>Sarah Pirrie</dc:creator>

		<guid isPermaLink="true">https://sarahpirrie.com/to-bare-witness-faithfully</guid>

		<description>
	

	
	

 to bare witness faithfullyRefugia, 2019, Nan Giese Gallery, Curated by Dr Ian Hance

































Pneumatophore root, material found on East Point wrack-line after
Cyclone Marcus, mattress foam block.
entanglement of spiralling need: to bare witness faithfully&#38;nbsp;





















Walking East Point the day after Cyclone Marcus revealed the stress
points between the natural and the constructed. 
Fallen trees lined the strained and fatigued landscape of roads and
paths. Uprooted with bollards attached, they formed a decoupled avenue of similitude;
branch to root: root to branch, brown to green: green to brown. Neatly
disordered all in a row.


Down on the beach a fresh wrack of brightly coloured mangrove leaves
littered the aligning tideline. Branches, freshly cut, ensnared with their long
held burdens; fishing lines and cloth used by the coastal homeless. Uprooted
and misplaced, survival is an entanglement of spiralling need.
 
	
&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/c714e8d4b74ef3b4bc9b77ece58a0e7900e11e74a0b5b7c5fedfa1522c98b3e4/06.jpg" data-mid="52171384" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/c714e8d4b74ef3b4bc9b77ece58a0e7900e11e74a0b5b7c5fedfa1522c98b3e4/06.jpg" /&#62;
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	<item>
		<title>Coastal Links: Macrotidal Quadrat Series</title>
				
		<link>https://sarahpirrie.com/Coastal-Links-Macrotidal-Quadrat-Series</link>

		<pubDate>Fri, 07 Sep 2018 13:08:00 +0000</pubDate>

		<dc:creator>Sarah Pirrie</dc:creator>

		<guid isPermaLink="true">https://sarahpirrie.com/Coastal-Links-Macrotidal-Quadrat-Series</guid>

		<description>
	Costal Links: Macrotidal Quadrat Series
&#60;img width="784" height="780" width_o="784" height_o="780" data-src="https://freight.cargo.site/t/original/i/588d5acc95d31b43fabc61a4fa292b311c12b9c08226d117dd9219dc3d40cc6d/SPirrie_2017_Macrotidal-Quadrat-Series-01.jpg" data-mid="23741033" border="0" alt="Sarah Pirrie, 2017, Macrotidal Quadrat Series (01), 1140x1140mm, Watercolour, gouache, dyes on Arches paper" data-caption="Sarah Pirrie, 2017, Macrotidal Quadrat Series (01), 1140x1140mm, Watercolour, gouache, dyes on Arches paper" src="https://freight.cargo.site/w/784/i/588d5acc95d31b43fabc61a4fa292b311c12b9c08226d117dd9219dc3d40cc6d/SPirrie_2017_Macrotidal-Quadrat-Series-01.jpg" /&#62;


	



















Hidden in the
subtidal and intertidal zones off East Point in Darwin, Northern Territory are
communities of sponges which can resist high temperatures and UV exposure.
Partially revealed during king low tides, this secret world of nearshore
fringing coral reef ecosystems contributes to Darwin’s annual wet season wrack
line, intermingling with drift wood and other entanglements. Strange and wonderful shapes assort with
plant matter and other more mysterious objects. Assembled on the wrack line by
wet season wave force, sponges, corals and algae can be viewed as a series of
comparative traits or a fusion of independent units. The translation of this
infrastructure into forms, marks, colours, natural systems and human systems
drives a mimetic vision of a new whole. Along the beach,
tidal lines of coastal debris are arranged in tiers of organic and inorganic
forms; real and sensual objects interacting with real and sensual qualities
Photographic documentation by Fiona Morrison

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&#60;img width="784" height="780" width_o="784" height_o="780" data-src="https://freight.cargo.site/t/original/i/588d5acc95d31b43fabc61a4fa292b311c12b9c08226d117dd9219dc3d40cc6d/SPirrie_2017_Macrotidal-Quadrat-Series-01.jpg" data-mid="23741033" border="0"  src="https://freight.cargo.site/w/784/i/588d5acc95d31b43fabc61a4fa292b311c12b9c08226d117dd9219dc3d40cc6d/SPirrie_2017_Macrotidal-Quadrat-Series-01.jpg" /&#62;
&#60;img width="795" height="788" width_o="795" height_o="788" data-src="https://freight.cargo.site/t/original/i/f7a031456c4d3f3e97b1d377739718491abe68c70bc6473924b65bc721997612/SPirrie_2017_Macrotidal-Quadrat-Series-02.jpg" data-mid="23741034" border="0" alt="Sarah Pirrie, 2017, Macrotidal Quadrat Series (02), 1140x1140mm, Watercolour, gouache, dyes on Arches paper" data-caption="Sarah Pirrie, 2017, Macrotidal Quadrat Series (02), 1140x1140mm, Watercolour, gouache, dyes on Arches paper" src="https://freight.cargo.site/w/795/i/f7a031456c4d3f3e97b1d377739718491abe68c70bc6473924b65bc721997612/SPirrie_2017_Macrotidal-Quadrat-Series-02.jpg" /&#62;

&#60;img width="833" height="839" width_o="833" height_o="839" data-src="https://freight.cargo.site/t/original/i/2ba7afd0cb1836542e146e7277c6b7924f5996386797879a3be41559b7375664/SPirrie_2017_Macrotidal-Quadrat-Series-03.jpg" data-mid="23741035" border="0" alt="Sarah Pirrie, 2017, Macrotidal Quadrat Series (03), 1140x1140mm, Watercolour, gouache, dyes on Arches paper" data-caption="Sarah Pirrie, 2017, Macrotidal Quadrat Series (03), 1140x1140mm, Watercolour, gouache, dyes on Arches paper" src="https://freight.cargo.site/w/833/i/2ba7afd0cb1836542e146e7277c6b7924f5996386797879a3be41559b7375664/SPirrie_2017_Macrotidal-Quadrat-Series-03.jpg" /&#62;

&#60;img width="819" height="820" width_o="819" height_o="820" data-src="https://freight.cargo.site/t/original/i/26df1fdd8295d4e7959d866832ec3faa9ff82ad6af40e7394d202d0da8bd3a8a/SPirrie_2017_Macrotidal-Quadrat-Series-04.jpg" data-mid="23741036" border="0" alt="Sarah Pirrie, 2017, Macrotidal Quadrat Series (04), 1140x1140mm, Watercolour, gouache, dyes on Arches paper" data-caption="Sarah Pirrie, 2017, Macrotidal Quadrat Series (04), 1140x1140mm, Watercolour, gouache, dyes on Arches paper" src="https://freight.cargo.site/w/819/i/26df1fdd8295d4e7959d866832ec3faa9ff82ad6af40e7394d202d0da8bd3a8a/SPirrie_2017_Macrotidal-Quadrat-Series-04.jpg" /&#62;</description>
		
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